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                "alt": "there's a lot of things to juggle especially at the beginning. \n\n1) it's important to do studies from life, drawing things around you and building out your internal memorybanks of what things REALLY look like as opposed to the clipart memories of things we often have built up. i like to draw things i have on my desk to warm up, which often ends up being cylindrical things like pill bottles lmao. then i use sites like sketchdaily do some timed studies (i like the class mode because it gradually ramps up the time you spend on each sketch). it'll feel frustrating trying to draw a pose in 30 seconds at first but i think its important to practice because it will over time teach you how to break down a form quicker and also move on from something even if it isnt perfect so you can try new ideas. after doing some of these i'll do untimed studies where i take as long on drawing something as i need to be happy with it.",
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                "alt": "2) it's also important to study other artists. you are probably not trying to reinvent the wheel, so learning what other artists do to represent things will be speed your learning up a lot. imo it is kind of crucial to pick a couple of artists you really like and want to be able to draw like and pick apart their art. if you can find timelapses or sketches from them then thats even better and will help show you more of the process all the way through so you can see not only the final decisions they made but how they implemented them. i spent a lot of my adulthood kind of floundering and not really drawing much but i got into reading JJK in 2021 and it for some reason lit a fire under me and i spent weeks just studying gege's art and redrawing panels and faces from different angles and that is 100% what led me down the path to who i am today.",
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                "alt": "3) vary the tools you are practicing with so you can build out a wider skillset and be more prepared to take on new challenges. some of this will come from studying different artists and seeing what kinds of brushes they use and trying to recreate that, but i also recommend drawing on paper sometimes too. some cheap ballpoint pens or colored pencils and either a sketchbook or even just printer paper if you have it laying around. sit down somewhere that's not at your computer and just draw the things around you. the more comfortable you are with the different textures of different tools, the more comfortable you'll be when a line doesnt come out exactly the way you're trying to draw it. but also don't make yourself miserable trying to draw with the kind of brush someone else uses. personally i fucking. hate soft brushes with soft edges, or heavily blended colors or painterly stuff. it makes me wanna bite something off so almost all my art uses a really hard edged brush with distinct color areas because thats what vibes right with my head. idk! just experiment. it's good for you.",
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    "text": "i'm certainly not the best teacher and my road to where i am has been haphazard and poorly planned but i'll give it my best shot! \n\nso as to avoid this being a long as fuck thread im gonna put it all in a screenshot with a transcript in the alt text",
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    "description": "2) it's also important to study other artists. you are probably not trying to reinvent the wheel, so learning what other artists do to represent things will be speed your learning up a lot. imo it is kind of crucial to pick a couple of artists you really like and want to be able to draw like and pick apart their art. if you can find timelapses or sketches from them then thats even better and will help show you more of the process all the way through so you can see not only the final decisions they made but how they implemented them. i spent a lot of my adulthood kind of floundering and not really drawing much but i got into reading JJK in 2021 and it for some reason lit a fire under me and i spent weeks just studying gege's art and redrawing panels and faces from different angles and that is 100% what led me down the path to who i am today.",
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